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A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre & the Arch of Constantine [graphic] = Veduta del Monte Palatino, dell'Acquedotto dell'Acqua Claudia, del Anfiteatro Flavio, e dell'Arco di Costantino. N.° 2 / [Carlo Labruzzi].

By: Contributor(s): Material type: PicturePictureLanguage: engita Publication details: [S.l.] : [s.n.], [1794?]Description: 1 print : etching and engraving in background ; image 43 x 55 cm, on sheet 51.5 x 69.5 cmOther title:
  • Veduta del Monte Palatino, dell'Acquedotto dell'Acqua Claudia, del Anfiteatro Flavio, e dell'Arco di Costantino
Subject(s): Genre/Form: Online resources: In: Ashby CollectionSummary: View of Via di San Gregorio from the Porta Capena area. Straight ahead is the Arch of Constantine, to the right is the Colosseum and to the left is the Palatine Hill. In the foreground Labruzzi depicts trees and figures in the shadow.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Visual Materials – Prints British School at Rome Closed Access Material TA[PRI]-Mis03-017 (Browse shelf(Opens below)) 1 Not For Loan 201501081810BSR
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TA[PRI]-Mis02-014 Temple of Pola in Istria, Vulgarly called the temple of Diana dedicated by the Republick of Pola to Rome and Augustus as the inscription of the frontespiece denoteth Temple de Pola en Istrie, Dit vulgairement temple de Diane dedié par la republique de Pola a Rome et a Auguste selon l’inscription du frontispice / TA[PRI]-Mis03-015 Via Appia illustrata ab urbe Roma ad Capuam, limite noto Appia longarum teritur Regina viarum TA[PRI]-Mis03-016 Via Appia illustrata ab urbe Roma ad Capuam, limite noto Appia longarum teritur Regina viarum TA[PRI]-Mis03-017 A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre & the Arch of Constantine Veduta del Monte Palatino, dell'Acquedotto dell'Acqua Claudia, del Anfiteatro Flavio, e dell'Arco di Costantino. N.° 2 / TA[PRI]-Mis03-018 The Spot on which the Porta Capena is supposed to have, stood, where the Appian & the Latin ways separated: the former to the Right; the latter to the Left Hand Sito ove credesi che fosse la Porta Capena dove la Via Appia, e la Latina si dividevano: a mano destra l'Appia, e alla sinistra la Latina. N.° 3 / TA[PRI]-Mis03-019 An Excavation of ancient Sepulchres made A.D. 1790 in the Vigna Moroni on the right of the Via Appia with the Inscriptions there extant Scavo di Sepolcri antichi fatto l'anno 1790 nella Vigna Moroni a mano dritta della Via Appia con Iscrizioni antiche ivi esistenti. N.° 4 / TA[PRI]-Mis03-020 An Excavation of ancient Sepulchres made in the same Vineyard at the commencement of the Year 1791, with the various inscriptions found in them Scavo di Sepolcri antichi fatto al principio dell'anno 1791. nell'istessa Vigna, con le varie Iscrizioni ivi trovate. N.° 5 /

Good condition. This is the second in a series of prints from the Via Appia that Carlo Labruzzi executed for Sir Richard Colt Hoare.

Closed access material (Library)

View of Via di San Gregorio from the Porta Capena area. Straight ahead is the Arch of Constantine, to the right is the Colosseum and to the left is the Palatine Hill. In the foreground Labruzzi depicts trees and figures in the shadow.

Sponsored by the ARC Universities of WA, Melbourne Monash Humanities E-research Project 2008

Carlo Labruzzi was popular with the English Grand Tourists in Rome for whom he made souvenir drawings and watercolours. In 1789 on the 31st of October Sir Richard Colt Hoare invited Labruzzi to accompany him along the Appian Way following the itinerary outlined by the Roman poet Horace in his description of a journey made to Brindisi in 38 BC. During this trip Labruzzi was to make drawings of the remains of the ancient tombs and villas along the way. The journey was uncompleted due to bad weather and Labruzzi’s ill health and was terminated at Benevento. However, 226 pen-and-wash drawings were completed and bound into 5 volumes by Colt Hoare. A second set of drawings, which are less highly finished perhaps served as preparatory studies were kept by Labruzzi who engraved 24 of the plates himself 5 years after the journey (1794).

The print belonged to Thomas Ashby (1874-1931), Director British School at Rome (1906-1925), who inherited his father’s library and continued to enrich the collection throughout his life. The collection was purchased from his widow in 1931 for the BSR Library thanks to a generous donation from the Treasurer at the time, William Russell.

Forms part of: Ashby Collection. Prints.

Ashby Collection. Prints

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