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An ancient Sepulchre on the right of the Via Appia shown as the Mausoleum of the Scipio Family before the discovery of their real Monument [graphic] = Antico Sepolcro a dritta della Via Appia, che si mostrava come Mausoleo dei Scipioni prima che fosse scoperto il loro vero Sepolcro. N.° 15 / [Carlo Labruzzi].

By: Contributor(s): Material type: PicturePictureLanguage: engita Publication details: [S.l.] : [s.n.], [1794?]Description: 1 print : etching ; image 43 x 55 cm, on sheet 51.5 x 71 cmOther title:
  • Antico Sepolcro a dritta della Via Appia, che si mostrava come Mausoleo dei Scipioni prima che fosse scoperto il loro vero Sepolcro
Subject(s): Genre/Form: Online resources: In: Ashby CollectionSummary: The Sepulchre of Priscilla features in the centre and surrounding figures go about every day duties. Several Latin inscriptions are spread across the foreground.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Visual Materials – Prints British School at Rome Closed Access Material TA[PRI]-Mis04-027 (Browse shelf(Opens below)) 1 Not For Loan 201501081924BSR
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TA[PRI]-Mis04-024 Inside wiev [sic] of an antique Building annexed to the Walls of Rome in the Vigna Casali, in which various Sepulchral Urns, Inscriptions &c found in the said Vineyard were placed as here represented at the commencement of the year 1791 Interno di una Camera antica annessa alle mura di Roma dentro la Vigna Casali nella quale al principio dell'anno 1791 si vedevano diverse Urne Cenerarie, ed Iscrizioni trovate nello scavo della detta Vigna. N.° 10 / TA[PRI]-Mis04-025 The remains of an ancient Sepulchre, on the left of the Via Appia vulgarly called The Sepulchre of Horatia, Sister of the three Horatii who fought with the Curiatii Avanzi d'un antico Sepolcro, a sinistra della Via Appia, volgarmente detto il Sepolcro d'Orazia, Sorella dei tre Orazj, che pugnarono contro i Curiazj. N.° 13 / TA[PRI]-Mis04-026 A Continuation of ancient Sepulchres on the Via Appia with a distant view of the little Church of Domine quo vadis Continuazione dei Sepolcri antichi su la Via Appia, colla piccola Chiesa di Domine quo vadis in lontananza. N.° 14 / TA[PRI]-Mis04-027 An ancient Sepulchre on the right of the Via Appia shown as the Mausoleum of the Scipio Family before the discovery of their real Monument Antico Sepolcro a dritta della Via Appia, che si mostrava come Mausoleo dei Scipioni prima che fosse scoperto il loro vero Sepolcro. N.° 15 / TA[PRI]-Mis04-028 Inside View of a Sepulchral Vault on the left of the Via Appia belonging to the family of Augustus Veduta interna d'una Camera Sepolcrale appartenente alla famiglia d'Augusto. N.° 16 / TA[PRI]-Mis05-029 Outside view of the Sepulchral Vault Veduta esterna della Camera Sepolcrale. N.° 17 / TA[PRI]-Mis05-030 A continuation of ancient Sepulchres on the Via Appia Continuazione dei Sepolcri antichi sù la Via Appia. N.° 18 /

Good condition. This is the fifteenth in a series of prints from the Via Appia that Carlo Labruzzi executed for Sir Richard Colt Hoare.

Closed access material (Library)

The Sepulchre of Priscilla features in the centre and surrounding figures go about every day duties. Several Latin inscriptions are spread across the foreground.

Sponsored by the ARC Universities of WA, Melbourne Monash Humanities E-research Project 2008

Carlo Labruzzi was popular with the English Grand Tourists in Rome for whom he made souvenir drawings and watercolours. In 1789 on the 31st of October Sir Richard Colt Hoare invited Labruzzi to accompany him along the Appian Way following the itinerary outlined by the Roman poet Horace in his description of a journey made to Brindisi in 38 BC. During this trip Labruzzi was to make drawings of the remains of the ancient tombs and villas along the way. The journey was uncompleted due to bad weather and Labruzzi’s ill health and was terminated at Benevento. However, 226 pen-and-wash drawings were completed and bound into 5 volumes by Colt Hoare. A second set of drawings, which are less highly finished perhaps served as preparatory studies were kept by Labruzzi who engraved 24 of the plates himself 5 years after the journey (1794).

The print belonged to Thomas Ashby (1874-1931), Director British School at Rome (1906-1925), who inherited his father’s library and continued to enrich the collection throughout his life. The collection was purchased from his widow in 1931 for the BSR Library thanks to a generous donation from the Treasurer at the time, William Russell.

Forms part of: Ashby Collection. Prints.

Ashby Collection. Prints

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