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A continuation of ancient Sepulchres on the Via Appia [graphic] = Continuazione dei Sepolcri antichi sù la Via Appia. N.° 18 / [Carlo Labruzzi].

By: Contributor(s): Material type: PicturePictureLanguage: engita Publication details: [S.l.] : [s.n.], [1794?]Description: 1 print : etching ; image 43 x 55.5 cm, on sheet 51 x 70.5 cmOther title:
  • Continuazione dei Sepolcri antichi sù la Via Appia
Subject(s): Genre/Form: Online resources: In: Ashby CollectionSummary: View showing two sepulchres on the right side of the Via Appia, in front of the Colombario dei Liberti di Augusto. One can see two travellers on the right hand side walking off into the distance. There are a few broken tablatures in the foreground.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Visual Materials – Prints British School at Rome Closed Access Material TA[PRI]-Mis05-030 (Browse shelf(Opens below)) 1 Not For Loan 201501081979BSR

Good condition. This is the eighteenth in a series of prints from the Via Appia that Carlo Labruzzi executed for Sir Richard Colt Hoare.

Closed access material (Library)

View showing two sepulchres on the right side of the Via Appia, in front of the Colombario dei Liberti di Augusto. One can see two travellers on the right hand side walking off into the distance. There are a few broken tablatures in the foreground.

Sponsored by the ARC Universities of WA, Melbourne Monash Humanities E-research Project 2008

Carlo Labruzzi was popular with the English Grand Tourists in Rome for whom he made souvenir drawings and watercolours. In 1789 on the 31st of October Sir Richard Colt Hoare invited Labruzzi to accompany him along the Appian Way following the itinerary outlined by the Roman poet Horace in his description of a journey made to Brindisi in 38 BC. During this trip Labruzzi was to make drawings of the remains of the ancient tombs and villas along the way. The journey was uncompleted due to bad weather and Labruzzi’s ill health and was terminated at Benevento. However, 226 pen-and-wash drawings were completed and bound into 5 volumes by Colt Hoare. A second set of drawings, which are less highly finished perhaps served as preparatory studies were kept by Labruzzi who engraved 24 of the plates himself 5 years after the journey (1794).

The print belonged to Thomas Ashby (1874-1931), Director British School at Rome (1906-1925), who inherited his father’s library and continued to enrich the collection throughout his life. The collection was purchased from his widow in 1931 for the BSR Library thanks to a generous donation from the Treasurer at the time, William Russell.

Forms part of: Ashby Collection. Prints.

Ashby Collection. Prints

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